The Plight of Humankind in Contemporary Love Poetry

Contemporary love poets in every era, attempt to address the question of the plight of humankind. This will continue into future generations of contemporary love poetry, as it is often an area of serious concern for anyone inspired by love or truth to write poetically.

The plight of humankind is often perceived from a negative perspective, but there is always the dark side of contemporary love poetry in any era. There is also its lighter side when it comes to the contemporary love poet's perspective on the plight of humankind. This is more positive and optimistic in terms of its expectations. Contemporary love poetry addresses many different areas of concern with respect to the plight of humankind, including a larger vision of the plight of the entire world, or even the universe.

How are we to interpret, or otherwise comprehend the contemporary love poet's stance throughout the different eras? It is almost impossible to understand how it applies to our own era. What is the underlying message about the plight of humankind that contemporary love poets are attempting to convey to others in their contemporary love poetry?

Remember that each contemporary love poet normally addresses the concerns of his or her own era, but at times, it may reveal a futuristic vision of some kind, as well. Contemporary love poetry can read like a fatalistic, gloom and doom prophetic-like negative vision, or contain a more positive, uplifting message of hope for humankind. It may also contain a promontory warning for readers of the contemporary love poet's literary work.

There is a fine balance between love and non-love, or love and hate. Love stabilizes or remedies the plight of humankind, while non-love tosses humankind into continual confusion and chaos. Love seeks effective resolution for humankind's woes with respect to its plight, while hate causes the problem to grow and multiply. Joy and non-joy, in contrast to sorrow and non-sorrow, work in the same way. All of these emotions are expressed repeatedly through the voices of contemporary love poets over the years.

The question of the plight of the world even invades children's nursery rhymes, such as 'Chicken Little', contemporary love poet proclaiming that 'the sky is falling in'.

The element of fear in contemporary love poetry surfaces repeatedly throughout the course of history. Perhaps at times, it reflects the contemporary love poet's own fears, but his or her literary work may also be an expression of a more generalized fear of a particular community, culture or country. Personal fear can quickly become magnified and spread like wild fire via contemporary love poetry. Similarly, the generalized fear of a people and their nation, may be incorporated into a particular contemporary love poet's work. Either way, it can be a cause for alarm.

Contemporary love poetry has the potential to alert humankind to potentially disastrous situations that may be prevented or changed, if there is appropriate intervention. It can serve like a beacon in the night, revealing a potential pathway that potentially leads to the survival of humankind.

The pessimistic contemporary love poet wrestles with the negative aspects of the plight of humankind. The optimistic contemporary love poetry prefers to address the concern from a more positive perspective. Critics of contemporary love poetry, as well as others, tend to take one side or another, depending upon whether they are personally pessimistic or optimistic.

The actual plight of humankind is not in the hands of either one or the other.

Contemporary love poets who are inspired to write poetry about the plight of humankind know that it is not determined by them or contemporary love poetry critics, or readers in any era, although they may try to respond to it in some way. Regardless, they will continue to write on. In contemporary love poetry, the plight of humankind is invariably a topic of concern.